Quick links
1. Printing in Offenbach: the art of a craft and the craft in the art. Annual (online) conference of the Association of European Printing Museums. 20-22 May 2021 - link
2. Camiel Van Breedam in Bibliotheca Wittockiana - link (+pictures)
3. “Around the world” is a collective project, a shared and ideal journey - link
4. Interesting article by Carl Middleton about wood type and so much more - link
The Museum of Industry. Textile Posters.
After being absent from printshop for more than 2 months due to 'we all know what’ I'm happy to be back! As many of you might know my printshop 'Letterpress Corner' is currently closed for the public and I'm back at work at the printing department of the Museum of industry. Actively involved in the life of the printing department, as well as designing and typesetting posters from wood and metal type using a rich collection of the museum.
Read More
Quick links
1. Bezette Stad 100! Ga terug in de tijd en dompel je onder in de wereld waarin Van Ostaijen en zijn vrienden leefden en werkten. Van Antwerpen als bezette stad tijdens de Eerste Wereldoorlog naar Berlijn tijdens de roaring twenties waar de iconische bundel 'Bezette Stad' geschreven werd. Zaterdag 27 maart 2021 tot zondag 27 juni 2021 van 10:00 tot 17:00 - link
2. Stop Typographic Pollution! Typographic summer school with Dafi Kühne. Update: Dates for 2021 are out now! A detailed schedule will follow. Stay safe - link
3. Huis vol creatief talent. Dubbelexpo ‘Impressed by Plantin’ & ‘Papieren Stad’.
Zaterdag 13 maart 2021 tot zondag 11 april 2021 van 10:00 tot 17:00 - link
4. Can you identify fonts?
The National Museum of American History would be grateful for your help. Many thousands of fonts/batches of type and matrices in the collections need your expertise to identify them.
Can you spare a few hours or a few days?
Go to the Smithsonian Collections search page at: https://www.si.edu/Collections and plug in the word “matrices,” “type, font of” and “type, batch of,” and “wood type.” Some of the fonts don’t have identifiers or have a filler name like “Sans serif, Black letter, Roman letter.”
If you find any that you can identify or have suggestions about, for possible font names, please email your results to: boudreauj@si.edu (Joan Boudreau, Curator, Graphic Arts Collections, National Museum of American History).
Quick links
1. Tipoteca Talks #02 – David Pearson. 18.03.2021 - link
2. An online talk by Paul W. Nash for the Oxford Bibliographical Society. 04.03.2021 - link
3. An Unscripted Look at a Script Type. A conversation with Matthew Carter about the origins of Snell Roundhand. 02.03.2021 - link
4. David Wolske - Letterpress in Creative Cloud 20/27.03.2021 - link
Typographic Surprises! 26.02.2021
First of the Typographic Surprises! webinar series organised by Printing Historical Society. An online event not to be missed.
Dr Alexandra Franklin
A surprising journey to the third dimension
Librarians make every effort to keep things flat. When is it OK to go 3D? We will take a behind-the-scenes and inside-the-lines look at often-neglected collections of printing surfaces in one library, the Bodleian in Oxford. These testify to the three-dimensional history and nature of the printed page.
Alexandra is Co-ordinator of the Bodleian Libraries Centre for the Study of the Book and the Bodleian Bibliographical Press. She is the author of 'Woodcuts,' in Book Parts (2019) and of 'Casting Off: a journey in five starts,' in the journal Inscription 1, 2020.
Patrick Goossens
What came after punch cutting
At the outset of printing in the west, it is (almost) generally accepted that type was made via a steel punch driven in a copper matrix. The advent of the nineteenth, with its hankering for speed, efficiency and de-skilling, brought new technologies to the old trade. Pantographic punch and matrix cutting were one of them. Patrick will take us inside his Antwerp engraving room for a look at some of the different punch and matrix engraving equipment he has gathered over the last decades with a brief explanation and demonstration of the processes.
Born in Antwerp, the home-town of the Plantin-Moretus Museum, Patrick studied history at the University Antwerp and Louvain. Mesmerised by the Museum’s press room he started to collect and research historical printing and typecasting equipment. This collection has allowed him to research the tangible and intangible sides of printing history for his ongoing doctoral thesis on the dissemination of innovative printing technology in the nineteenth century, focusing on Belgium. Patrick has presented some of his preliminary findings, worldwide.
Martin Killeen
What is the use of a book without pictures?
This presentation will provide some perspectives on the illustration of early printed books including a brief comparison of the relatively few illustrated books of native literature published in England before 1700 compared to Continental Europe, especially Italy.
Martin Killeen, recently retired Rare Books Librarian at the Cadbury Research Library, spent more than thirty years exploiting the rich resources of the repository (printed books, archives and manuscripts) to support teaching, learning and research across all the disciplines within the University and beyond. This included delivering talks and presentations and using original materials to lead seminars and classes (which often cover themes relating to print and publishing history and physical bibliography). Martin also publishes papers based on the Cadbury Research Library's holdings.
Date And Time
Fri, 26 February 2021
19:00 – 21:00 CET
Register (free) - link
Quick links
1. Online classes by Brody Neuenschwander - link
2. Linocut contest by TYPA museum in Tartu (EE) - link + rules
3. The last trained typecaster in Europe, Rainer Gerstenberg has announced his retirement by the end of this year - link + video
4. Hamilton Wood Type& Printing Museum online poster gallery - link