A few weeks ago, I decided to travel to Barcelona from cold and gray Ghent to enjoy some sunshine and explore the beautiful architecture of the city. And although it was raining the whole week I managed to have a great time and meet befriended letterpress printers/designers Arcangela Regis (Lauren Press) and Jesús Morentin (Bunkertype) who were kind enough to make some time free in their busy schedules and let me into their studios in Barcelona.
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True Print by Dafi Kühne
Dafi Kühne, who fuses modern means with the century-old tradition of the letterpress, is about to publish his first book, a selection of his work from the last 8 years. Never retro, his work is a clever response to the search for new ways of graphic expression: True Print. The book will be published by Lars Müller Publishers, Zürich and will be available in English and German.
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1. From stone to chip. Alois Senefelder and the invention of lithography in an international context. Conference organised by AEPM in Dutch museum of lithography in Valkenswaard (NL) from 3-5 November 2016.
2. “New Impressions” is an international, juried exhibition to showcase exploration and creativity with letterpress printing techniques. Hamilton Wood Type & Printing Museum 11.05-30.06.16, Design College Australia 09–21.08.16.
3. DADA ist 100 exhibition opening on 04.06.2016 Eremitage Gransee (DE)
4. Interrobang by Random Spectacular, published as part of The Village of Type at Ditchling Museum of Art + Craft.
Nog een potse truust?
Last Sunday the city of Gent, as well as other cities in Flanders and Brussels, was celebrating the Heritage day (Erfgoeddag) which is held annually on the first Sunday after the Easter Holidays. Each year a theme is chosen and this time it was all about rituals. The museums, archives, documentation centres, collecting libraries, local heritage centres and organisations dedicated to folk culture opened their doors to public (free entrance). Every year this results in a diverse selection of activities. And this year was not an exception.
Read MoreIan Gabb. MIAT. Monotype.
Almost every printing & typecasting equipment at the printing department of the MIAT museum is frequently used: Heidelberg, Ludlow, Linotype, FAG and other proof presses, but the Monotype is one of a few we seldom see in action. But when a few weeks ago Patrick brought Ian Gabb, a British designer/printer to the MIAT to inspect the Monotype Super Caster we were sure they will make it work again.
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Ann Bessemans' lecture at the MIAT. 21.04.2016
On 21st of April typographer and researcher, Ann Bessemans (BE) will be giving a lecture about Matilda typeface at the MIAT museum. During her Ph.D. dissertation entitled “Type Design for Children with Low Vision”, under the supervision of Prof. Gerard Unger (Leiden University) and Prof. Dr. Bert Willems (Hasselt University), Bessemans was attempting to bridge the gap between font designers and cognitive scientists studying the legibility of letter characters. As the result of this Ph.D. project, she developed a font - Matilda, aiming to reduce reading problems of children with low vision. For the further development of this project, she was granted various international scholarships (Microsoft etc). Currently, Ann Bessemans is connected to MAD, Media Arts and Design-faculty in Hasselt as a teacher and researcher.
Want to learn more about the development of Matilda typeface or legibility research focused on people with low vision in general? Join the lecture at the MIAT museum - info.
21.04.2016. 14:00 o'clock
MIAT. Minnemeers 10, 9000 Gent
price - museum ticket, students - free
reservation 09 210 10 10 or via email
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Matilda: A Typeface for Children with Low Vision - paper